Saturday, 4 June 2016

The Talk of the Town by Ardal O'Hanlon



This was another book picked up from Oxfam before our holiday, I hadn't even noticed that it was Ardal O'Hanlon of Father Ted fame.

I probably need to give the standard spoiler warning...

This is a dark tale, a “tragedy” in the formal sense of that word.

It took me a while to get that the two tracks of story telling, the first person narrative of Patrick and the diary of Francesca, were not just different view points but also separate chronologies. This is a token of the fact that while Patrick and Francesca were in a relationship they were never quite having a shared experience.

At one level it is a tale of teenage angst, but it is not simply that. Although it is never explicitly referenced I assume that Patrick is placed somewhere on the autistic spectrum – there are certain attributes, such as his habit of memorising all the number plates in the town, which are stereotypes of that spectrum, while we might also look in this direction as an explanation of his complete failure to understand how Francesca was feeling.

Francesca equally might be suffering from anxiety, is she “just shy” or is there something more? That she attempts to break away from Patrick on a number of times during the book, and yet when the next chapter comes along and she is back with him (if she was ever away) it is heart-rending. What is it that brings her back, is the pain of being with Patrick really better than the desolation of being alone?

As the book progresses Patrick definitely becomes an unsympathetic character, life may not of dealt him the best of hands but he doesn't even use what he has been given to his advantage, but I am much more conflicted about Francesca. SPOILER – as she ends up dead, she is the victim. For that I feel sorry for her, but I am not sure that I like her.

The cover of the book is full of reviews that found it “funny” - I am not sure if they read the same book, there were moments of dark comedy, but that is not the stand out impression. It is a powerful narrative, bleak, unpleasant, but once you are in it, perhaps a bit like Francesca, it takes hold of you.