Saturday, 17 June 2017

Hummingbird by Tristan Hughes



Looking back at this blog it is 6 years since I read Tristan Hughes' Revnant, a novel compared to this novella.

But there is a commonality between the two, in both there is a wrestling with past events, an attempt at making sense.

It is also yet another book set in the far north, Canadian rather than Alaska in this instance.

The smallness of the community seems to allow for a deeper exploration of relationships, of life played out with the open secrets of village life (perhaps not secrets but unspoken knowledge of events). But there are a number of stories that are not told, the cast of characters around Zach and Eva clearly have backstories, but we only get hints, this is perhaps a sign of the bravery of Hughes as a writer – to leave these stories untold.

For Zach and Eva this results in others knowing much more about the events that dominate their young lives than they themselves do. Zach's mother had committed suicide, Eva's parents died in a plane crash, and in the end Eva speaks for both of them “We don't get to know why.” - we seek meaning in the events of our lives but sometimes the meaning escapes us, and sometimes there is no meaning, things just happen.

Given Zach and Eva are young people one might wonder why this book labelled youth fiction, when others read recently, like Other People's House are. The themes here are challenging, but they are in the other books. Hughes has a reputation as a “serious” novelist, so this is marketed as a grown up book.

Wounded by Emily Mayhew



Following those wounded during the First World War and those who provided medical care to them gives a particular view on the conflict.

Mayhew in the introduction is keen to justify taking a narrative approach to her account, relying on diaries and memoirs, on the basis that there is a lack of records to provide a statistical survey, I am not exactly why this was necessary.

There are 4 wounded soldiers followed, and a larger number of Medics and Nurses and so on, and so one might feel that the voice of the wounded is not as strong as it could be in a book of that title.

One of the issues might be that the book focused on the times of peak activity and perhaps underplays the periods of limited activity and boredom that dominated most of the war.

As with many aspects of the war, it is a tale of a lack of preparation resulting in early chaos but systems being put in place which while not perfect were broadly effective.

Deep Sea and Foreign Going by Rose George



A bit of a busman's holiday, while I would not fully endorse all of the conclusions and there were times where it felt it tended to favour the simplistic remedies of the arm-chair observer it gives a good overview of the nature of the shipping industry.

It shows the tension of the status of the ship as a utilitarian instrument of global industry and a home to the seafarer. We all experience cost control at work, but it is tough when that same cost control is applied to you home as well.

There are examples on bad practice, of mediocrity, and occasionally even best practice. That Rose travelled on a Maersk vessel avoids any claim that she was actively seeking the bottom of the spectrum.

In particular the ways in which technology are changing the life of the seafarer, both the technology of the ship itself and the increased access to personal entertainment and social media. The sociability is declining, port call are shorter, crews are smaller, and when on-board they spend more time in their cabins with a laptop rather than the mess with each other.

Change is inevitable but an acknowledgement of its impacts is important.

Robert Maguire & Keith Murray by Gerald Adler



St Paul's Bow Common is a truly iconic Church, at least for those who take an interest in the liturgical life of the Church of England. It was the starting point of the partnership of Maguire and Murray, and Adler provides an engaging account of what they did next over the following half century or so.

Many of the values they seeked to embody, about a quality of provision, about a simplicity, are very attractive. This is an account of the buildings that they built, but it might have been good to hear more of the users experience, to hear about what these buildings had become in the intervening years. Have the hopes of providing spaces that enabled healthy community life been realised?

Spectacles by Sue Perkins



A must read for the Bake-Off fan, it is bitter sweet as we await the new Mel & Sue free version of that show.

There is always a bit of tension about reading the “successful” explain their personality flaws, you want to say that is all very well for you, but think how bad it is to live with all those flaws and not have the comfort of “success” as a small compensation package. This is not a criticism of Sue Perkins in particular but it is a trend in many memoirs – it is almost the cliché that the comedian has become a performer in order to distract attention from their true self, it is their coping strategy for crippling shyness – and it is one we find in part here as well.

But even with all that said, this is an enjoyable read – there were plenty on moments of social failure with which I had a familiarity that is a bit to close for comfort. Certain failure modes she recounts that I was pleased to know were not unique feature of me, or my nearest and dearest.

One of the great strengths of Mel & Sue is there authenticity – it is definitely what made Bake Off was watchable – the puns might have been terrible but you believed that they bubbled up spontaneously and were not contrived, as is so often the case on TV, the product of hours dark in the script-writers room. This is trick that Claudia Winkleman manages on Strictly while Tess doesn't quite...

This same authenticity comes through this memoir, an insight into the big-hearted life of Sue :-)

By the Grace of God by Gary Bunt



This book pairs Gary Bunt's poems and paintings.

The paintings are playful. Jesus appears with beard and white robes, a cliché, but the context is a modern(ish) land, for example the Three Wise Man are flat-cap wearing and arrive on bicycles. But also Jesus is accompanied by a faithful dog, it is funny that a canine can give a humanising touch.

There is often a gap in religious art between twee Victorian pastiche and the high end contemporary – there is room for thoughtful but gentle works, and I hope that Bunt wouldn't be too offended by being put in that bracket.

Of the poems, some have a witty charm that echoes the paintings, many in the voice of Jesus' dog, but some seem a little glib, or trot out simplistic doctrinal statements, and I am not sure if these should be read tongue in cheek or not.

Orbiting Jupiter by Gary D. Schmidt



Since reading The Smell of Other People's Houses by Bonnie-Sue Hitchcock there seems to be a theme of books set in northern lands, and here is another one. Also little Other People's Houses it has been categorised as “youth” fiction.

Perhaps one of the likely reasons for the youth label is that this is a compact story, if it was marketed for adults it might be a novella.

There is an emotional intensity to the tale, which is sustained at this length and which over a longer format would have sagged.

The pairing of Jack and Joseph is key – the contrast between the troubled Joseph and the settled life of Jack – Jack's responses to the new dynamic in his family drive the narrative, you come alongside Jack and see the events unfolding through his eyes. The possibilities for both good and bad within the world seem to expand for him.

It is a book that explores the hope that can be found within the midst of tragedy, for every person we encounter who is selfish and small minded Schmidt tells us there are more who are generous and open-hearted.

While I don't think it is particularly a “Christian” tale, it is definitely one that bold to claim that the light shines in the darkness, and the darkness will not overcome it. In the face of the daily news we probably need tales like this to encourage us to continue to seek the diamonds in the dust.

Cove by Cynan Jones



This is an example of the truth that less can be some much more.

Less than 100 pages, most with more white space that text, to be lost at sea is an encounter with the emptiness and the words that you place in that space have to be carefully crafted.

As I read I could feel my heart thumping with the determination of the unnamed man to survive, and with the unnamed women that waits for him.

I have very little that I can say, it is a tale of such power I just have to hold the emotion.