Friday, 30 November 2018

The Last Man in Russia by Oliver Bullough



Russia is a fascinating country – Churchill, in typically quotable style, called it a riddle wrapped in a mystery inside an enigma. Those of us who remember the Cold War perhaps put too much of its difference down to Communism, but while a number of the Countries of the Warsaw Pact have integrated into the EU and the “European” consensus - Russia remains apart. We stand at a moment when Francis Fukuyama’s “End of History” has never seemed more foolhardy.

Bullough focuses his exploration of Russia through an exploration of the life of one man, Father Dmitry. He travels, and the descriptions of those travels are vivid and engaging – even if the content is long hours on cold buses.

There is an Orwellian tragedy about Father Dmitry – for so long a Saint, but then broken by the State – recanting and capitulating – ending his days a bitter and troubled soul. It is a narrative worthy of Dostoevsky. That light that shone so bright was crushed, that one who showed such strength could be defeated, is horrific – if the State is stronger than even Father Dmitry then perhaps all resistance is futile.

The blurb on the back of the book says “Bullough shows that in a country so willing to crush its citizens, there is also courage, resilience and flickering glimmers of hope.”. Perhaps it is reading with the knowledge of the events of the last 5 years since this book was published – but I struggled to see the hope and I can’t recall reading, for all Bullough’s skill as a writer, such a depressing book.

Sand by Hugh Howey



Includes spoilers!

Set in a dystopia future Howey has the knack of giving a sense of realism, characters that you could relate with, reactions that had humanity about them. The relationships are strong and believable.

I found this a captivating narrative – people living in a world that had limitations, physical but also in terms of knowledge – they know of some relics of a former civilisation but had no real understanding of the context of those artefacts. A sense that the glimpses of past glories were a tease to them in such reduced circumstances.

It becomes clear that the situation they are in is the effect of the actions of other people living elsewhere, and worse still that those others are aware of the negative effects of their actions. It is not a natural desert they are struggling with, it is man-made.

The is a tension in the ending – a strike back, understandable but violent – an event off-stage, but probably a nuclear explosion – relief for the suffering of this community but at what cost?

There are metaphors for us in the “West” - we are those living in the other place, our lifestyles have negative impacts on many elsewhere in the world, be it climate change or the exploitation of workers for cheap goods, and we know but mostly choose to ignore those consequences. But how do you assign guilt to a whole civilisation – even the well intentioned struggle to extract themselves from exploitative structures?