Wednesday, 30 November 2022

Selah by Keith Jarrett

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From this collection I tagged…

A Gay Poem,

and

Playing His Music on Shuffle (Or How Friend A Describes That Causal Encounter)

the last stanza of which is

I hope one day he uncovers the praise song in his bed frame.

I hope that day he learns to dance away his shame, with

a man who fears neither worship nor repentance.


That poem, and the collection as a whole, speaks of being Gay and being either a person of faith or someone surrounded by Christian teaching – the very next poem is titled Highlights of the Old Testament and concludes “I reread Leviticus. Guiltless.” My delight came from the queer encounter with faith. And so I find it a little odd that that blurb on the back talks of Keith’s “black British identity” and “Caribbean roots” but does not mention the two parts of his identity (I assume given the content of the poems) that were most exciting to me. Courageous poems, cowardly marketing?

Tuesday, 29 November 2022

Between Worlds A Queer Boy From the Valleys by Jeffrey Weeks

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This is a highly readable account of someone who, I sense, was an accidental radical – Jeffrey happened to come of age at a moment when, despite everything, there was an opportunity to live openly and fully as a gay man in a way that hadn’t existed before. That he embraced that opportunity to the max is a token of his character and to be congratulated.


The accounts of the radical organising for gay / LGBT liberation provides the core interest – the vagaries of his academic career are a valid part of the story, even if workplace politics is not so exciting.


There is lots that is made easier by social media – but it is tempting to look back on simpler times and wish for the hand crafted movement Jeffery first encountered.


He is, unsurprisingly, insightful on his own experience and the experience of “the community”.


He is honest about the challenge of the fractious nature of the claim to community – he reflects that “There was no natural unity based on a given orientation. For me, how you saw yourself and described yourself was a preference, not a given orientation, a choice rather than a destiny. People could make their identities and ways of life to fit different desires, even if their sexual needs seemed fixed...” (p114) What you do in bed and your identity are not unrelated but they are not co-determinate – your desire/need to have sex with men is not going to go away, your decision to live as a Gay Man is not fixed (if it was then the closet could not exist).


Part of the importance of books like this is the making visible of role models – as Jeffrey puts it “In my early days as a gay man, I had no way of linking to a living past, a possible present or a hopeful future because I had no ease of access to memories of people like me. I had to find and make those connections for myself.” (p251) To make those links, and support people by avoiding the need to constantly reinvent the wheel – whilst also creating an openness to new patterns – will have a massive positive impact on the mental well being of so many LGBT people.


Linked to this is his reflection of the diversification of expressions of LGBT identify “Others have recently come out in their sixties, seventies or even eighties. For me it represents what the LGBT community has become: a density of identities, desires and needs, experiences, problems, possibilities and hopes… LGBT experiences have gone global.” (p240)


I was pondering this in the Yumbo Centre – gone are the days of the clones – there is such a range of shapes and styles visible there, even within its overwhelmingly white cis gay male population. That there is diversity but also narrowness in the Yumbo is a hard question – but I think I need to make other blog posts about that.


Jeffery’s concluding paragraph is …

“Yet it is difficult too not to listen to the memories of the people, peoples, I identify with, often across difference, who have made me, without a stirring of hope. Writing this memoir has allowed me to piece together a mosaic of struggles, endurance, aspirations, care, friendship and love that convinces me the waters do not, cannot, entirely cover our heads: not drowning, still waving. It remains possible, indeed necessary, to straddle different worlds and find a viable sense of belonging, all the way home.” (p253)

Monday, 28 November 2022

The Invalid’s Valet by Julian Gray

This is a Victorian comic about Percy and Jacob – how they, eventually, find a way to express their feeling for each other.


It talks about power and vulnerability – and has a sweetness about it. Love can’t fix physical illness but it can still be a balm for life.

The Gentleman Ladybird by Lexy Connul


I picked this up at October Book as I clearly couldn’t resist a book about a Ladybird.


This is a charming story of the gender diverse Gentleman Ladybird and how they recover their self confidence from the kind words of some of those around them – sharing a message of kindness and respect for each other. 

 

BTW Not including a link as I seem to only be able to find it online at Amazon :-(

The Woodcutter and the Snow Prince by Ian Eagleton

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It seems that I didn’t include the charming Nen and the Lonely Fisherman in this blog, which is remiss of me.


This follow up captures the same spirit – a more magical world perhaps (a comment that reveals I clearly believe more confidently in Mermen that Snow Princes…) - my fear is that in response to such a wonderfully queer story some will assume that they were “just good friends”!

Constellations by Sam Scott

 

As his first move from song writing to the page this is an encouraging start – it opens up a conversation about loss, the passing of a parent – it is a generous response to the pain so many people experience. I hope it is only the beginning ...

Prunus Gerasus by Becca Fang

I think this is the first solo volume from the6ress and it is a good one


I tagged

Log Lady Interlude


Many of the things we deem worthy of loving are also

flammable. That is the trouble with loving.



Does that mean we shouldn’t bother loving?


No. I think not.

Green Apple Red by James McDermott

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James is one of the poets that is giving voice to the Queer experience beyond the “urban” we so long have found ourselves confined within – with poems such as My Queer Mind Goes For A Walk he plays with and problematises the being Queer in rural settings and it is delightful

Sunday, 27 November 2022

There is (still) love here by Dean Atta

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Dean Atta has such a clear voice this collection is (unsurprisingly) a joy.


It opens with


On Days When



you feel like a wilting garden,

gather yourself, roll up your lawn,

bouquet your flowers,

embrace your weeds.


You are a wild thing playing

at being tame.

You are rich with life beneath

the surface.


You don’t have to show leaf

and petal to be living.

You are soil and insect and root.


I also tagged …

Pulse 3. Sanctuary

Circassian Circle

Broken Bench (which I think will seem increasingly odd as we forget the restrictions COVID placed on us in early lockdowns).

Sin The Art of Transgression by The National Gallery

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Published to accompany the 2020 exhibition which I assume lockdown prevented anyone actually seeing …


The exhibition wanders through the Western art canon playing on the adage that the Devil has all the best tunes, and maybe all the best pictures too.


Despite the talk of transgression it is a pretty safe experience.

Commemorative Modernisms Women Writers, Death and the First World War by Alice Kelly

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Alice Kelly shines a light on Women writing about the First World War and using that light to explore how the experiences, especially the experience of mass death, shaped the development of literary modernism.


The selection of women Kelly engages with include professional writers, in their published and “private” voices, and those writing in a purely private capacity – predominately letter and journal writing nurses.


There is a different voice from the male “war writers” - the whole experience of “the war” is encountered differently – this was still a society that sharply policed the roles of men and women – even if there was some opening up of opportunities for women in workplaces due to the absence of men sent to the front.


Some of the trends Kelly draws out were evident before the war but they clearly get turbo-charged but the intensity of experience the war years provided.


It is an academic work but the dryness that can result from that is relieved by the richness of the personalities of the women under consideration.

Tryweryn: A Nation Awakes by Owain Williams

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There was a moment in the 1960s when it seemed that the Welsh Nationalist struggle would become a violent one – there were a number of bombs placed but with the Investiture in 1969 the wave broke and the Welsh Nationalist movement has largely distanced itself from violent action since.


Owain, as someone involved in the bombings, expresses a frustration about that domination of non-violence – associating it with a lack of backbone to truly stand up for the Welsh Nation – talks of “true patriots” in contrast to the vast majority of the Nationalist movement.


To hear his own account of his involvement in direct, violent, Nationalist action and the consequential encounters with the British Security Services is of great value – yes there are some aspects that you might want to take with a pinch of salt. Owain is a great story teller and, to borrow a phrase from Maupin’s The Night Listener, great story tellers can resist the occasional bejewelled elephant. But equally many of the other accounts of these events will have been told with political agendas of varying shades which will have caused them to be free with the “truth” - so to hear Owain’s side of the story can only add to the balance of our understanding of this period.


The core drama of the tale is his time on the run in Ireland – on the run from essentially trumped up charges. I have a sense that Owain may be a little coy with us about what he was up to directly prior to that round of charges, but he is very clear that he was not doing the things that he was charged with.


Owain is pretty damming of the “mainstream” Welsh Nationalist, and as we compare the recent position of the SNP with Plaid it is difficult to really argue with him – somehow Welsh Nationalists end up falling over themselves, consistently turning key assets into achilles heals. But is the commitment to non-violence the source of these failings – SNP success is built entirely within the law? There is something deeper going on – Michael Sheen’s 2017 Raymond Williams Memorial Lecture did much to unpack this tendency to stumble.


We are enriched by men and women of passion like Owain – but we need to take care at times their voices are sirens calling up onto the rocks.

The Cutting Room by Louise Welsh

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To have written a first novel in 2002 that is so unapologetically queer would have been brave.


The seedy world that Welsh brings to life is richly believable, the twists and turns keep you on edge – the characters not especially likeable and yet entirely captivating. It is a dark damp sort of a world, and you find yourself just wanting to wallow in it ...


My only criticism is that on page 152 Rilke provides a public information bulletin on anal sex – it is a paragraph that doesn’t fit, it is not Rilke’s voice – for a moment you are snapped out of the world Welsh has created.

Saturday, 26 November 2022

The Dreaming by Andre Bagoo

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This collection of short stories takes many of the themes from his poems and gives them a little more room. The quality of writing is a delight, characters fully developed even in this short form.


Exploring the lives of Trinidandian men, especially gay men, Bagoo combines much humour with a sadness that carries deep authenticity. When it is funny, you are laughing with the characters not at them – it is generous to them.


The story MS. about a writer whose work is mistaken for autobiography had a strong echo to The Night Listener that I had just read but also makes us very aware of how much we might be assuming that Bagoo’s accounts of the experiences of gay Trinidandian men were his own experiences. The idea that there is nothing autobiographical in this collection is silly, but how much, and which bits, that we can not say.

Trick Vessels by Andre Bagoo

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Another great collection


From it …


Floating Vessels


Are stained white.

Black ink declared

All men to be equal but

Spines, rigged like chains,

Choked other limbs:

Feathered men

Replaced.


These vessels have knowledge

Where the sea ends.


Drains in Port of Spain

Flow where blue blood

Opens worlds.


I also tagged Golden Grove

Short Stories by Jesus by Amy-Jill Levine

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Amy-Jill helps us to see (or hear) the Parables with fresh eyes (or ears) and shows that much of the traditional interpretations of the Parables sit on shaky footings.


Central to this is highlighting that the “Christian” interpretations rely on making a contrast between a caricature of resistive Jewish practice and a liberation proclaimed by Jesus. The Jewish practices seen in these interpretations would not be recognised by any first century Jew – some relate to later developments, but most are simply figments of zealous Christian imaginations.


We also find that many interpretations somehow simultaneously complicate the meanings whilst also flattening them – the sheep might just be sheep, the mustard seed just a seed – not everything is an allegory.


Amy-Jill also suggests that the Gospel writers were the first to gloss the Parables and began the process of misinterpretation – and a lot of her arguments in this respect make sense but this touches a nerve about how we understand scripture. The Gospel writers put a particular spin on the Parables – is that the authentic meaning or is there some discoverable prior meaning? Amy-Jill is confident that we can step behind the text and hear the voice of Jesus, I am not so sure. I don’t dispute that there is a gap between the words and meanings Jesus spoke and the text of the Gospels we have received – but I doubt we can say anything much about what came before the inherited texts.

Timberdark by Darren Charlton

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It is a great pleasure to find that Charlton successfully lives up to the massive expectations he created with Wranglestone. The characters, the sense of place, and the drama are all as strong as ever.


You have such care for Peter and Cooper as they wrestle with the challenges of love I found myself aching with the desire to see things come right for them – this is the core captivating drive of the novel. That love and loss seem ever intertwined is hard.


This is a more explicitly political story – it clearly questions whether the return to “normal” after the period of exile in the wilderness is desirable, with the suggestion that the stupefying nature of consumer culture might have been the real cause of the first collapse of society. To read this in the midst of our “post-Covid” return to normal back this a timely challenge. But is a turning of your back on 21st Century life really the only cure – this is a dark conclusion.

Thursday, 24 November 2022

The Edge of the Plain by James Crawford

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In the globe trotting book James gives us something of a greatest hits of difficult geopolitical issues – but one wonders if, in terms of intended readership, he is largely preaching to the choir.


We discover that Trump’s wall is a bad idea, Israel's wall is a bad idea, fortress Europe is not great, climate change certainly sub-optimal. But it is possible we already knew all that…


James writes well and even when telling familiar stories does so with a freshness that is engaging.


But we are left with the “so what?” question – this is reportage, it is not a manifesto for better future – that is work we are left to do ourselves.

My Love Is a Beast: Confessions by Alexander Cheves

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I expect there would be many that would be uncomfortable reading Alexander’s reflections on his life – talking honestly about drug use and about fisting, although the title is “confessions” these are not things Alexander is repenting.


He talks about “the yelp” of a bottom during sex (p96) – a moment when pleasure and pain coexist – giving a language and voice to the experience of the bottom is empowering. He goes on to say that “when every pig in the city was playing, I was curled on my friend’s sofa, asleep. What comes back to me now when I think about most of my sexual adventures and discoveries are not the intensities or boundaries crossed, but the rests, the points of warmth, the feeling of a blanket after a breeding, morning light after a fist.” (p100) That tenderness and extreme sex can be found together is an important fact that is often underplayed – you don’t automatically find both, but the idea that extreme sex inherently denies the possibility of tenderness needs to be rejected.


He writes about the attack on Pulse in Orlando – and since I read it we have faced Club Q killings, as well as all the toxicity around the World Cup in Qatar – he says “I didn’t know how to react. It felt like a sickening indoctrination into an antiquated concept of life as a faggot. This was something that happened in decades past, not now. I was a millennial; my generation was hope.” (p142) I really recognised that confusion.


As Gay White Cis Men we fooled ourselves into believing the work of liberation was over, we could quit with the protest and focus on the party – but the work was never done, and in the last few years progress is rolling backward – that attacks may be focused on Trans people, on people of colour, but the lack of back bone on display from so many at the World Cup is a reminder to all of us of how quickly many people will abandon all of us.

Playtime by Andrew McMillan

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The second collection certainly lives up to his debut


I tagged

To The Circumcised

Making Love

Workman – which reminded my of Steve Mack the plumber

Priest - “...your tight back shirt a public prayer | to the beauty of creation...”

Fighting Terms by Thom Gunn

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Published in 1954 these poems are less explicitly queer than many that come later


Round and Round captures the melancholy of the lighthouse keeper


La Prisonniere is a dark articulation of obsession


Looking Glass uses the image of garden and the gardener

Sunday, 6 November 2022

Silly Me and Silly Us by Ruby Elliot

 

These two books are published by Pound Project – Rachel’s cartoons look with a dry humour on modern life – she clearly has a keen eye to be able to express so much in a few seemingly simple lines and a handful of words.

Waking Light by Kerri ní Dochartaigh, Mícheál McCann, Michelle Moloney, and Éilís Murphy

This is a small handbound edition of poetry and images


from everything was


In the winter I was pregnant, and I watched

                                                a Christmas star, above

                                                    my first garden, the longest

                                                                                night of the year.


        Everything was soft as it is after the making of things:

                                bread, love, peace.

        Everything was silent as it is after the breaking of things:

                                bread, love, peace.

The Forward Book of Poetry 2000

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I put tabs on the following poems


Whang Editorial Policy by Mark Halliday

Late by David Hart

Sam Sax

Sad Boy / Detective (2015)

Each poem is titled “the boy detective ...” which has the effect of turning things around, like a jewel glinting in different lights, with a common threat pulling through them all.


All the Rage (2016)

“Sex + Love Addiction” is a powerful and hard poem – facing the insults and shame pushed on gay man full in the face.

“The Italian Root of Quarantine is” seems to be a echo backward from so much we have felt during COVID.

 

Madness (2017)

Each selection begins with an extract from the 1952 DSM-I which lists Homosexuality among the disorders and end with a different poem titled On PREP or On Prayer – it is taking troubling themes and opening them up – giving voice to pain that many hold so deep they don’t see it any more 

Bury It (2018)

I tagged…

BILDUNGSROMAN which begins “i never wanted to grow up to be anything horrible | as a man. ...”

EASSY ON CRYING IN PUBLIC

BUTTHOLE

KADDISH, one segment of which is these haunting lines

please

 

tell

me


how

am

i


supposed

to

go


on


knowing

you


are


[ ]



A Smell of Fish by Matthew Sweeney

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Featured in A Forward Poetry Prize collection


I had tagged Incident In Exeter Station in the Forward collection – a poem in such an ordinary setting but with an almost surreal twist to it.


The other poem I tagged is also set in a station…


the final stanza of Guardian of the Women’s Loo in Waterloo


I tell you, I want out from time to time.

The Eurostar’s just across the platform,

I could go to Paris and not come back,

lose myself in Montmartre, as artist’s flat

overlooking the steps, but who’d take over, who’d be

guardian of the women’s loo in Waterloo,

with all the tact, let live, let go by, that’s needed?

10p entrance? That’s half of it. The skill’s in the rest.

& Change issue No.1 September 2022

www. Andchangepoetry.com


A strong collection published in USA


From it Baltimore by Joshua Garcia


We are at a restaurant you chose, somewhere near

your apartment, when I decide not to sleep with you.

You read one of my poems in a magazine & ask if

it was about our last time. Two seasons have passed.

Two men. This morning I groomed my body,

trimmed the hair under my arms, held a blade

to my scrotum, to the quiet sacral dimple.

We order tempranillo, eat plantains with bacon,

lick a ginger-tamarind glaze from our fingers.

You translate a Spanish lyric I won’t remember.

There isn’t a moment, just a confluence of thought.

None of these details matter. It is a mercy.

The Drift by Alan Jenkins

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Again Alan Jenkins featured in the Forward Poetry Prize collection (or technically before, as this is from the 2001 collection and the other one was 2006 but I am reading my way backwards through them)


His reflections on his Mother ageing are powerful – looking with an honest gaze


from House-Clearing

… the legs that, as a girl, she was famous for

have started to give her hell, and she must leave her house

which we both call home, as in “Are you coming home

for Christmas?”, and I can’t believe her house

holds so must of her...