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This is a deeply unsettling work, alternating between Sandra and Carol’s time on the islands Lieloh and Little Lieloh, separated in time but overlapping in geography.
Sandra has dreamed since childhood about Lieloh and joins an artist retreat there only to find the others fairly causal in their investment in it. What unfolds feels like the all too familiar experience of neurodivergent people in a neurotypical world.
I am not sure if that is Alison Moore’s intent but I connected with it as one of the most authentic description of neurodivergent experience – I felt very seen and the way in which the others view Sandra as aloof is a trap I think I have fallen into more than once.
But there is also a layer of the supernatural going on – things happen in the house in which Carol is alone that can not be explained, similar things happen in the house in which Sandra and the others are staying, and they are explained as acts of passive/not so passive aggression by one side or the other – that there might be a third party in the mix in never considered.
In my reading of it, it is a bleak diagnosis, Sandra stepped out of her life to follow a dream and which only seemed to take her on a downward spiral – that is not what we want to hear – it almost says “stay in your dreary little life it is better than the alternative!”
The back of the book refers to “Moore’s trademark compelling unease”, which is well said, a book that made me uncomfortable and yet I couldn’t put it down.