Monday, 1 May 2017

Crucifixions and Resurrections of the Image by George Pattison



Pattison has in his sight the (false?) dichotomy between Modern Art and Christianity. While many artists reject a religious faith or world-view, or possibly increasingly are indifferent to faith – one of a number of irrelevances that have not bearing on their work. However Pattison notes that “Context and reception must also be weighed, and the work's effects belong to the work, whatever the intention of the artist.” Therefore the meaning of a work can go beyond the understand of the artist, and so Pattison goes on to explore a range of artist's work in this spirit.

A book about Art without any illustrations does make it essential to be reading it within reach of a search engine to see the works that Pattison makes essential to his analysis.

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