This collection,
sold in aid of Medecins Sans Frontieres, tells a wide range of
stories from the First World War.
There is something
about the use of the “Graphic Novel”, or comic strip, format that
creates a different kind of engagement with what is in many respects
familiar material. Also the fact that there are many different
contributors, and so the visual styles of the stories varies also
helps to heighten the immediacy of the encounter.
These are short
stories, but in most there is still a significant depth of
characterisation. The is an energy to the stories that draws you into
the centre of the action.
The majority of the
stories focus on participants from the “Allied” side of the
conflict, however this is a non-partisan collection, and when the
focus is on a “German” story it is included on equal terms.
There is a strong
anti-war (or at least anti-this-war) message throughout the
collection. The First World War is seen as wasteful, and the leaders
on both sides are shown as fools – it is very much in the “lions
lead by donkeys” school of thought. Published in 2014, the
introduction makes it clear that it is a deliberate counter narrative
to the mythologising of the First World War that is currently
surrounding much of the commemoration of its centenary. As such it
would whole heartedly reject the views Gordon Corrigan advanced in
“Mud, Blood and Poppycock” (which I read in Dec 2014).
But as with so much
in life I tend to the view that the “truth” is somewhere in the
middle – I certainly found so of Corrigan's attempts to
rehabilitate the reputation of the Military Establishment were over
stating the evidence, but there was much that he argued that seemed
valid. In the same way I would I subscribe to the majority of the
narrative here in “To End All Wars” - but again there were times
when you got the feeling that facts were being shoehorned into an
agenda.
While in terms of
content there was no great revelation here, I think the mode and
medium of the presentation make this deserving of a part on the ever
more crowded shelf of First World War narratives.
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