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Matthew Haigh prefaces his collection with this quote from J. G. Ballard “How do we make sense of this ceaseless flow of advertising and publicity, news and entertainment, where presidential campaigns and moon voyages are presented in terms indistinguishable from the launch of a new candy bar or deodorant?”
This poem speaks powerful of a grief that is awkward, so much powerfully unsaid...
What Will Your Sims Do Now?
Like a good nephew, I save your computer
from the skip’s slew of lifelong wreckage,
lug its black lake-weight back to my room
even thought the tower is now a humming grave.
Inside still live the pixel kids
you abandoned to a timeless
paradise, still frolicking poolside,
spurting gibberish, clownish, in a summer
that will never end. They know nothing
of the absent god act you’ve pulled, these tiny
Adams and Eves in cherry-print kaftans.
I feed and clothe and shower them, these strange
skin cells you’ve shed in your swift exit,
my head haloed by the screen’s heaven-
blue, the way yours must have been as you
crafted your craved reflection.
Here is the candy-haired
mohawk girl modelled on your ideal.
I push her around her little kitchen,
fingers lingering on the keys that yours
last touched. Her chip pan has caught fire.
The girl’s face bursts open with tears.
Scorched walls. Her kitchen is
ruined. I can’t console her.
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