Wednesday, 10 December 2014

Relationships with pictures: an oblique autobiography by Peter Lord

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Peter Lord is probably generally described as a “Welsh art critic” or “Welsh art historian”, and while the majority of his professional life has been spent in Wales working with a particular focus on “art” produced in Wales he is in fact English (in origin at least), and there is a sense in which it is only as an outsider that he could see the depth of artistic endeavour within Wales.

We all know Wales is the “Land of Song” which Crowns (and Chairs) its Poets – and the counter point of this narrative is that Wales is a nation without a visual culture – a land of words not pictures. In this interesting book Peter Lord sounds a loud challenge to this (mis)conception.

Key to this challenge is a general challenge to the Art Establishment and any framework of ideas that attempts to police the boundary between “Art” and “not-Art”. This is a boundary that the Pop Artists of the 1960s kicked against – although I think the Art Establishment was phenomenally successful in neutralising that challenge. When Andy Warhol painted soup tins rather than seeing the Art in the ordinary the Establishment focused only on the status of a piece being a “Warhol” - content became irrelevant. (Although perhaps Warhol is a bad example, as clearly the greatest work of Art he ever produced was the persona “Andy Warhol”).

There is almost a quality of the detective novel about this, as from the starting point that there was no Welsh Art, Lord begins to discover more and more artists, stumbling across them, with a glimpse or a rumour, and then working to put their story together, to find their art. Maybe it is the equivalent of the BBC “Who do you think you are?” for a whole nation, a whole culture. While the BBC's celebrities come to terms with the drunks, adulterers, and war heroes among their forebears, the Welsh need to get to know their inheritance of artists.

It is also a tale of how the Welsh have in certain ways gilded their own prison bars – there is a psychological collusion, we may love Wales but deep down we don't really expect too much from her? There is today a story on the BBC news website headlined “Wales economy adds least value in UK” - but if you read the story it also states that Wales “showed the biggest growth”. So why was the headline not “Wales fastest growing economy in UK”? We might blame it on the London centric Beeb, but are the leaders in Wales actually aspirational enough to challenge the rhetoric – for you can bet if in the same position Alec Salmon would have raised a storm, a storm that would have more than likely broken to the advantage of the people of Scotland.

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