This is a
classic “sci-fi” with more than one adaptation and I think these
monster plants lurk behind many of our fears of Genetic Modification.
It is often difficult to encounter the text of such classics free
from the cumulated associations, to read with fresh eyes.
I will
assume that the concept of “spoilers” does not really apply in
this case however if you have escaped knowledge of the plot, and want
to retain that status – at least for the time being, it might be
best to stop here.
As well
as the fear of the monster plants the plot also plays on the fear of
the dark, as in the opening sequence the majority of the human race
are left blind. The dark is a very deep seated fear, and the
reaction of those left blind is extreme – OK there is chaos, but
how quickly it seems that hope is lost and many of the blind decide
to end their lives is, for me, a questionable aspect of the plot.
This is
part of a need, in common with many post-apocalypitc narratives, to
provide for a rapid depopulation in order to move on what is
essentially a utopian (or in some cases dystopian) rebuilding phase.
There is no desire to dwell on the suffering caused by the apocalypse
and so millions are written off, written out, in the blink of an eye
to make room on the canvass of the author's prime interest, whatever
it is that will come next. I can recognise this as a necessary
literary device but it certainly make me uncomfortable.
In this
case the “next” is in fact a winding back of the clock to a
“simpler” agrarian society and a reconnection of people with the
land, and it turns out that the central hope for the continuation of
civilisation lies on a move to the Isle of Wight (which depending on
you point of view might be a stretch of the imagination...).
Overall
the story is, I think, a critique of a society that has become
enthralled to technology with a loss of connection not only to the
land but also between human beings – how much more might we feel
this critique can be applied today as it was when Wyndham was writing
near 70 years ago.
Although
it is interesting that it was first published at the very start of
the 1950s, an era that I think we look back on as very optimistic.
Many of the themes explored seems to fit more readily with periods of
discontent, such as the late 1970s. These days we are told the 1950s
was a time when people really believed that the future would all be
jet-packs and sliver suits (although I know that my mum recalls a
different story where the future was only filled with mushroom
clouds).
But there is a tension, the turning back of the clock does not come
without costs, not only the comforts and amusements of modern life
but also in terms of health and security, existence in the new
society is clearly fragile. The choice the author presents is to
decide where the priority should lie, where is human dignity most
likely to be found?
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