Sunday, 2 December 2018

If Nobody Speaks of Remarkable Things by Jon McGregor



A book picked up in charity shop for a beach read, which has been on holiday with me a couple of times before I got around to reading it.

A worthwhile wait – such a well crafted novel.

The power comes from the focus – an afternoon on a single street – and yet so much is happening – so many lives going on being ordinary.

I think that is the real skill – it often feels that it is easier to write a James Bond thriller – you have the whole tool box – explosions and helicopter cashes – if people aren’t on the edge of their seats what are you doing. However to create a thriller out of a rainy suburban afternoon that is success.

Saturday, 1 December 2018

Soul Tourists by Bernardine Evaristo



This is a crazy love story – but what genuine love stories aren’t crazy?

Stanley and Jessie are an odd couple but there is an energy that gives them authenticity, as characters and as a couple.

There are a range of formats used, some first person narrative, some couplets, some “letters” - they play off each other helping you see the different twists and turns of the narrative from different viewpoints.

At the heart of it all is Stanley’s sense of dislocation – his integration into society, he is a banker, makes him feel cut off from his roots as a “Black” man, he feels that there is a part of him that should be an outsider. Some of the attraction to Jessie’s chaotic spirit is the desire to be outside society’s norms.

However we have these dream sequences where during the road trip across Europe historical figures of “Black” origin appear and this challenges the assumptions. The history of Europe has not been as monochrome as we thought.

One of the interesting things about the BBC’s What Do You Think You Are programmes has been the stories of those of Afro-Caribbean origin - they generally had a fairly clear idea in their head that their parents, or grand-parents, arrived in the UK as part of the Windrush generation, in a one off fundamental crossing of the divide and the ocean, however the programme has often found earlier crossings – for military service, for university education as doctors or lawyers – and suddenly the story becomes more complex.

A great book for exploring issues without being “issues-based” - across Evaristo’s work you get big themes treated in a really accessible way.

Hello Mum by Bernardine Evaristo



Published by Penguin working with Quick Reads at 80 pages of large-ish print it packs an incredible punch.

There is no way to talk about this without giving a massive spoiler away…

It beings “Hello Mum” and ends “So now you know, I can say goodbye. Jerome Cole-Wallace 1995-2009” - it is a letter of explanation from a dead Boy to his Mother.

As you should expect from Evaristo it has raw honestly, authenticity, insight, and power.

There is currently attention given to the issue of teenagers, mainly black, dying on our streets – but this book, which speaks to that exact issue, was published in 2010 – we might not of been paying attention but lets not pretend that this situation is new, and therefore lets not pretend that the solutions are quick or easy.

It is clear that the social context placed Jerome in the situations where he made choices that led to his death – that combination of context and choice is important. Most 14 year-olds in this country are growing up in contexts, thankfully, where they are protected from crime, drugs, and violence. They don’t have to make choices. But too many grow up in contexts where they are face with the choice between a hard slog with little reward – if you work hard at school etc the best you can hope for is “a job” - and the alternative - the status and the money that come from involvement with drugs.

Jerome was faced with a choice, he made a bad choice but at the moment of decision a pretty reasonable one – he was street-wise but probably essentially naive to the consequences. He was a victim – but there can be a risk in our legitimate desire to avoid victim shaming to strip people of all agency – and one of the powerful things Evaristo does is give him his voice back, give him his story back.

On A Bender (A Esmorga) By Eduardo Blanco Amor Translated by Craig Patterson



Written in Galician at a time when the language, like so many aspects of life in Spain, was under the repression of the Franco regime.

The story is told through one side of a conversation, or more specifically an interview/interrogation.

This style is not always easy to follow, and I had in mind Waiting for Godot for the overall feel.

Cipriano Canedo, or the Boar, has been on the “Bender” with two others, and there would seem to have been a trail of destruction left in their wake. He maintains his repeated intention to go home and blames everything on his fellow drinker.

It ends with Canedo’s death, beaten to death by the Police. A clear message that Authority is brutal and oppressive. But your thoughts about Canedo and his fellow drinkers are less clear – nothing they do warrants a violent death but are we to read their drunkenness as another function of oppression – excluded from society life is hard, miserable, drink is some relief? Characterising the poor/the masses as lawless in an animalistic way finds its way into various literary sources, both from positive and negative perspectives – but I feel it needs to be treated with extreme care.

The People Speak Ed Colin Firth & Anthony Arnove



500 ish pages which I have read over 5 years ish.

The content is interesting in and of itself – speaking in various historical contexts and on various issue.

However the whole is really interesting. “The People” is complex – it feels a little dated and New Labour – making us think of Diana “The People’s” Princess.

Equally at this moment in time “The People’s Vote” is a hot topic – somehow differentiating it from when the people voted in recent General Elections or in earlier Referendums.

The Sub-title is “Voices that changed Britain” but it is I think only voices that changed Britain for “good” as defined by the Editors. A future edition is unlikely to include a speech from Nigel Farage, despite his impact on Britain. The copy I have has a Red Flag on the cover which probably indicates the starting point of the Editors.

Friday, 30 November 2018

The Last Man in Russia by Oliver Bullough



Russia is a fascinating country – Churchill, in typically quotable style, called it a riddle wrapped in a mystery inside an enigma. Those of us who remember the Cold War perhaps put too much of its difference down to Communism, but while a number of the Countries of the Warsaw Pact have integrated into the EU and the “European” consensus - Russia remains apart. We stand at a moment when Francis Fukuyama’s “End of History” has never seemed more foolhardy.

Bullough focuses his exploration of Russia through an exploration of the life of one man, Father Dmitry. He travels, and the descriptions of those travels are vivid and engaging – even if the content is long hours on cold buses.

There is an Orwellian tragedy about Father Dmitry – for so long a Saint, but then broken by the State – recanting and capitulating – ending his days a bitter and troubled soul. It is a narrative worthy of Dostoevsky. That light that shone so bright was crushed, that one who showed such strength could be defeated, is horrific – if the State is stronger than even Father Dmitry then perhaps all resistance is futile.

The blurb on the back of the book says “Bullough shows that in a country so willing to crush its citizens, there is also courage, resilience and flickering glimmers of hope.”. Perhaps it is reading with the knowledge of the events of the last 5 years since this book was published – but I struggled to see the hope and I can’t recall reading, for all Bullough’s skill as a writer, such a depressing book.

Sand by Hugh Howey



Includes spoilers!

Set in a dystopia future Howey has the knack of giving a sense of realism, characters that you could relate with, reactions that had humanity about them. The relationships are strong and believable.

I found this a captivating narrative – people living in a world that had limitations, physical but also in terms of knowledge – they know of some relics of a former civilisation but had no real understanding of the context of those artefacts. A sense that the glimpses of past glories were a tease to them in such reduced circumstances.

It becomes clear that the situation they are in is the effect of the actions of other people living elsewhere, and worse still that those others are aware of the negative effects of their actions. It is not a natural desert they are struggling with, it is man-made.

The is a tension in the ending – a strike back, understandable but violent – an event off-stage, but probably a nuclear explosion – relief for the suffering of this community but at what cost?

There are metaphors for us in the “West” - we are those living in the other place, our lifestyles have negative impacts on many elsewhere in the world, be it climate change or the exploitation of workers for cheap goods, and we know but mostly choose to ignore those consequences. But how do you assign guilt to a whole civilisation – even the well intentioned struggle to extract themselves from exploitative structures?

Saturday, 13 October 2018

Interruption Silence by Walter Brueggemann and Into the Silent Land by Martin Laird



It was a coincidence that I read these two reflections on Silence so close together. They explore different contexts of silence – Brueggemann silence in the political and social realm, Laird silence in the personal and spiritual.

One argues for the breaking of silence, the other for the holding of ever deeper experience of it.

If I am honest I didn’t get on that well with either book, while nevertheless agreeing with the essence of the point both were making.

I found Brueggemann, who is generally a wise and subtle writer, rather shouty – there was too much about confrontation – it seemed to suggest that it is easy, just speak out and you will be heard and the world a better place. It didn’t do enough to explore the subtle ways in which silence falls, how you are tempted to keep quiet, how the voices of many are denied.

However the power of silence as a means of control, a tool that favours the powerful and the status quo, is clear – and I would entirely agree that “There is no practical area in the life of the church in which reform is more urgent than in the church’s propensity (in all of its manifestations)to silence.”

Laird is offering a practical guide for the development of contemplative practice – how you can build up toward the the holding of times of sustained silence (during which God might speak).

He uses an interesting image, that “a gardener does not actually grow plants. A gardener practices certain gardening skills that facilitate growth that is beyond the gardener’s direct control.” This can be applied to much Christian ministry – we are probably comfortable saying that the Priest does not “convert” people but practices certain skills that facilitate “conversion”. We can also talk about prayer in these terms – we don’t actually “pray” but instead engage in certain practices that allow prayer to happen. It is less about me praying TO God, but prayer being a time of communication between me and God.

I would also agree with Laird when he concludes that “sadly much liturgical prayer is often hopelessly cerebral, self-conscious, verbose, and distracted...”

He later says that there “is a certain wisdom that settles into a life that does not attempt to control what everybody else ought to be thinking, saying, doing, or voting on.” This would appear to be a state of being that is almost the exact opposite of Facebook and social media…

I guess what a struggled with was the way it felt that Laird was prescribing a particular set of practices to everyone, regardless of their context or their personality type. I would agree with the objective, creating space for God to speak, for God to take us by surprise – but I think perhaps there is room for other methods – for some of us our brains are perhaps just too restless for sustained silence – they need something to do to stop the thoughts going round and round and chasing their tails.

Thursday, 20 September 2018

In Parenthesis by David Jones



This is writing totally other from almost everything else we are fed. Complex, rich, demanding total attention.

What stands out for me is the balance between the waiting and the action. This is something that I feel is being lost – yes the moments of action were horrific but it was the moments of inaction that really ate away at people’s souls.

Lovechild by Herbert Williams



I was engaged with this book, but somehow it failed to come to a resolution.

Steve, the central character, is not particularly likeable – maybe it is an honesty about the narrative that he is not offered redemption, nevertheless people move on with their lives.

Maybe I didn’t believe anyone, but in particular I struggled to believe the women – their reactions didn’t fit with the likely reactions of the women I know.

Addlands by Tom Bullough



It is a novel full of pathos about the struggles of Welsh hill farms – and however powerful I found this story I could not stake off the feeling that, essentially, I had been here before.

It is a very well executed example of a pretty standard narrative – rugged landscape, fractured masculinity, authenticity born out of economic marginality – it ticks all the boxes ...

Nothing Has Changed by Adrian Masters



I put this along side The Greasy Poll by Mike Parker on the bookshelf – both being detailed reflections of election campaigns in Wales. The interface between Welsh and UK politics being a key part of the dynamic.

It is, for a political geek, an interesting account – but the most significant thing it reveals is the number of campaign events that are attended by the party faithful and the press. The “public” even in the midst of a hotly contested election are generally getting on with their lives elsewhere – better things to do than worry about who is running the country.

Wednesday, 19 September 2018

The Lifers’ Club by Francis Pryor



This is a pretty solid whodunit in which Francis Pryor does bring the essence of the Fens to the page.

However it often felt in need of a stronger editorial hand, description of details irrelevant to the plot were far too common. I don’t know if this is related to the crowdfunding model of the publishing house but I feel you could probably have cut the text by at least a third without significantly impairing the narrative.

SS-GB by Len Deighton



Having watched the recent BBC adaptation I was interested to read the book and see if the flaws in the TV version were there in the original.

Please note there will be some spoilers …

The book, like the TV, begins with an interesting exploration of the relationship between Detective Inspector Archer and the Nazi authorities now in charge. As part of the murder squad Archer separates his work from any agenda of the Nazis. His position is that murder is still murder, his job is to find the truth, and the truth doesn’t change depending on who is in power… however as the story unfolds this certainty begins to fall away – truth starts to look a lot more fluid.

But then somewhere along the way the novel, like the TV, seems to get completely lost – there is a plot to liberate the King from the tower of London, Archer ends up the driver of an ambulance that bundles the King into the back and drives out the open gates – only to break down and leave them in the midsts of a French farce pushing the King up the Strand in a wheelchair before ending up somewhere in the South West having a shoot out on the beach.

All the flaws of the TV adaptation are there in black and white…

Invasion by Luke Rhinehart


One of the books read on the plane home from Australia.

Sci-fi often provides an effective medium for satire on current affairs, but this is best achieved with a subtle touch that allows the reader to join the dots. In this instance Rhinehart is using a big fat marker pen and while there is some charm and humour to the “FF” especially Louie overall it is a pretty thin work.

Monday, 23 July 2018

Tunnel The Archaeology of Crossrail



At 120 pages, mostly containing pictures and a reasonable amount of white space (which in design terms is commendable), this falls into the category of sales brochure rather than serious analysis.

Sunday, 22 July 2018

British Rail Designed 1948-97 by David Lawrence



The British Rail Corporate Identity Manual published in 1965 gave expression to the idea of total design – absolutely ever part of BR was considered with every detail intended to give a unified message about the values of the organisation. Transport had long been a pioneer in marketing and design – London Transport set the standard while we remain fascinated by the railway posters of the 1920s and 1930s.

Post-war constraints on resources and the challenges of bringing the “Big Four” together (who hadn’t actually fully resolves the challenges of “Grouping” two decades earlier) meant that British Railways struggled with its identity. There was a step change when British Railways became British Rail – and perhaps against the odds somehow they got it right.

The monolithic BR Blue gave way in the 1980s to sector identities and then in the mid-1990s to the shadow companies ahead of privatisation. David Lawrence clearly feels every step away from BR Blue is a step in the wrong direction – is this ideological, it went hand in hand with the move away from Nationalised industry to the Private sector, from public service to commercial imperative. While the sectors brought diversity to the BR identity I feel it continue to hold on to the importance of quality design – I my room as I type the “art work” is 3 BR livery style sheets from the era of the sectors.

With privatisation railfreight seems to have retained good design, although with the advantage that their focus is their locos – EWS now DB, GB Railfreight, and DRS all have clear identities – in the passenger sector some have been good such as GNER, SWT, and recently GWR, others have been dreadfully but I won’t name names.

It is a fascinating topic, but despite the rich material David Lawrence has written a fairly boring book. I am a geek about trains, I am a geek about design, if you write a book about train design that doesn’t excite me you are in trouble…

Sunday, 15 July 2018

Musing of a Clergy Child by Nell Goddard



This book made me say “yes absolutely” and “wtf” in equal measure…

There are different sections …

It starts with a poem - Clergy child’s lament
“I didn’t choose it
you called my parents to it …
‘Incarnational ministry’ they call it
‘Invasion of personal space’ I respond …”

But the end point is being drawn into the calling too – the experience of some but not most Clergy Children – for most the lament goes on, the Church has blinded them to the God it claims to represent.

So we have Tips for Clergy Children – for the most part I agreed with these - the life of a child in a vicarage is a vibrant but at times problematic – Nell’s parents seems to run a very “open house” policy, my didn’t but we still lacked private space. Clergy should have professional boundaries between them and “the parish” if not for their own sake, then at the very least for the sake of their children.

Next were Letters – of these most powerful was “A letter for when the church has hurt you” and from another Letter “ vicars are human too, they often end up listening to the one who shouts the loudest and forget to hear the quiet voice of their child, just as needy but drowned out by the din of parishioners’ pastoral problems.” - but while acknowledging this pain they all end up on a breezy “Jesus loves you” tone.

Finally Musings – which I think had little to do with being a clergy child, but had the same paradox of talking of the deep pain many feel but somehow ending up very Churchy and the sense that if you just love Jesus a little more your problems will go away.

I know this is probably unfair but as a clergy child I don’t just carry scars thanks to the Church but a few, still, unhealed wounds. I celebrate that Nell has found a place deep within the Church, but I guess I want to read the same book written by one of the many Clergy Children that remain so beaten up by the Church that they can’t get across the threshold…

Saturday, 14 July 2018

Mametz – Aled Rhys Hughes



Published to coincide with the 2016 centenary of battle of Mametz wood in the midst of the countless words currently being written about the First World War these imagines stand out.

There is an essay reflecting on them at the end of the book, but the main body is given over to the imagines – speaking in a way that words fail to do.

Mametz is perhaps an archetype of the futility of the First World War, significant loss of life taking yards of ground only to retreat almost as quickly. Within the wider narrative Mametz is a focal point for the Welsh collective grief.

Aled Rhys Hughes, in his foreword, explores what it is to visit these sites, the tension of mourner come tourist or even voyeur – especially as he photographs people photographing Dragon memorial (and themselves in front of it) – we have to acknowledge these differing motivations but it seems the pressure of social media makes it hard to be completely in a place – if you haven’t posted a selfie then you weren’t really there. While an older generation might feel taking a selfie disrespectful, a younger generation might find not taking a selfie equally disrespectful.

All the Colours of Light – Mary Lloyd Jones



A slim volume, 30 pages, with 4 or 5 lines of text pre page allows Mary Lloyd Jones art to take the centre of the stage. Art full of movement and the power of colour – sometimes paint is a static medium, but these works sing.

Women Who Blow on Knots by Ece Temelkuran




I didn’t find this an easy read, having to take it is small bites to allow time to process. There was a powerful mysticism – what was fantastical what fantasy.

A novel about women, Muslim women, Muslim women in North Africa it explodes assumptions. These are women struggling with the expectations of society but women with power, vitality, dignity – and little time or use for men.

The issues of language are explored, therefore it was odd to be reading in translation, for example and one point:

“I went into another room where they were teaching children Amazigh. There were reading cards on the wall and Amazigh letters on the backboard. These people were working to free themselves of a language they had been forced to learn and to return to their mother tongue, and in the middle of a war. It must have been something like reading history backwards.”

And later:

“Now consider this… Colonialism can even lead people to stop naming children and flowers in their mother tongues. But only our language and its words ring in our hearts. The heart is made up of words.”

For the English, and first language English speakers more generally, the power of language to shape identity often seems difficult to grasp – words are neutral, we forget that some ideas can only be expressed in a particular language, in particular the longings and laments of the people under oppression can not be shared in the language of their oppressors.

But alongside the trespass I felt as a monoglot English speaker there was an equal feeling of trespass as a man in a space owned and defended by these women. I might not be the biggest champion of patriarchy, nevertheless I remain a beneficiary of it. As an over-educated white middle-class male I need to talk a lot about my privilege before I get the right to talk of any experience of oppression. Western society is run by, and for, guys like me.

There were moments that powerfully make you stop and think …

“If someone has a scar on her face and you don’t ask her about it she won’t think you’re being kind, she’ll just think you didn’t see her face.”

… do we look away from disfigurement to save their embarrassment or our own – does our politeness render people invisible.

On the very last page, the journey done, there is a final reflection …

“It was the first time I understood what Madam Lilla had done for us all. We did not need a god to love us if we had a courageous mother...”

The big loving embrace of Madam Lilla, despite her complexities, is the transformative action.

Mr Loverman by Bernardine Evaristo



INCLUDES SPOILERS

The story of a 74 year old Barry who has spent almost all his adult life in London and even longer in a covert sexual relationship with Morris brings together a number of rich and interesting themes.

As with Hide by Matthew Griffin the (homo) sexuality of an older generation is explored – doing this alongside the dynamics of the Caribbean community in London adds to the complexities.

That Barry and Morris were both married doesn’t seem to have hampered their ongoing relationship, but Barry’s marriage to Carmel has become a cage trapping the pair of them.

We perhaps have to wrestle with the tension of how “guilty” we should see Barry for 60 years of unfaithful marriage – what choices did he have as a Gay Antiguan in the early 60s? But there are clear suggestions that he allowed the situation to continue because it suited him just fine to have a wife and a lover.

Although Barry has decided to come out and leave Carmel during a time when she is back in Antigua, I am not convinced he would actually of done it, and Evaristo places the initiative into Carmel’s hands she learns the truth while in Antigua and comes “home” to London and takes control of the situation. While this is empowerment of her is a positive dynamic, avoiding her remaining a victim, for me it denies Barry of redemption – he never actually puts right the situation, it is put right for him – he is found out rather than coming out.

But it is a tale filled with great characters, told with pace and conviction, highly enjoyable.

Everything I Found on the Beach by Cynan Jones



Once again Cynan Jones provides a powerful narrative, rich and yet tightly written.

As with Cove the sea has a central role, and landscape and sea are given a life that help to draw you into the heart of the drama.

Ideas around identity, and the struggle between your desires and the hand life has dealt you, are core to this story – or stories, the intertwining of different peoples lives, out of the blue these unconnected people have profound impacts on each other.

Jones once again resists happy endings, good people who try hard don’t always win out in the end. But the “bad guys” are shown to have complexities – there is little that is black and white.

To have a consistent output of this quality is remarkable.

Catulla et al by Tiffany Atkinson



A playful collection of poems – such as

Bad karaoke

The wedding night of my second trip
to Scotland two-by-two of us propping
up the bar of the Kilmarnock Travel-
odge in something less comfortable

which happens to be karaoke night
in these heels All day shy as a tree-
forg in my patterned dress and now
the whole room glitters Even my true

love says I shouldnae feel I have tae
as I launch my high notes at the tone-
deaf anaglytpa If the make-up runs
it’s just I haven’t splet since Thursday

and I’ve lived on crisps fro three days Only
dinna make me drive home on a hangover’s
slipped gears the sun on my forehead past
Dumfries still asking why indeed Delilah

Rain -

It started unremarkably,
like many regimes. We sat like children
making quiet things indoors. The rivers

burst their staves and soaked the folds mid-
country; they were schlepping people out of pedalos,
and punting through cathedrals saving cats. One lad

clearing out his granddad’s drain was still caught
when the waters lapped the record set in 1692.
Imagine. News teams donned their sombrer cagoules.

The house had more floors than we knew. In twenty years
we’d never spent so much time in one room. I’d no idea
you had a morbid fear of orange pips, or found French novelists

oppressive. On the seventh day, completely hoarse,
we took to drawing on the walls and staging tableaux.
In delirium all actions feel like role play -

protein strands against the ooze, the animals we made -
and rain, a steady broadcast on all wavelengths,
taught us everything we known about the tango. Only

when we grew too thin for metaphors was rain just rain.
We thought about the drowned boy, how he watched
the lid of water seal him in, for all his bright modernity.

Was it a Monday morning when the garden was returned,
tender with slugs, astonished at itself? Our joined hands
wer the last toads in the ark. We walked; we needed news.

Stories of Ireland’s Past Edited by M Stanley, R Swan, & A O’Sullivan



Following on from reading Harvesting the Stars part of Ireland’s National Road Authority’s archaeological publication scheme this volume giving an overview of archaeology that the NRA funded during its 20 year existence caught my attention.

Particularly interesting is the way that the developer led nature of the NRA’s archaeology had a significant impact on the knowledge gained. Digging where the road was going rather than where you expect to find interesting archaeology, indeed the NRA deliberately planned the route of the roads to try to avoid known sites of archaeological significance.

Much of the importance of this body of new information therefore comes form filling the “white spaces” on the archaeological map, with evidence of the lives of those of lower social status and the rural who are so often absent from the historical and the archaeological narratives.

While it is mostly a celebration of the good work done under NRA’s auspices the authors were not afraid to point out concerns that some methodological practices may have limited the insights that might have come for particular periods and types of activity.

Although particular sites are discussed these are exemplars rather than the focus. It feels as if the opportunity to step back and reflect on the big picture is not common and one that the authors of the various chapters relished. I was also pleasantly surprised to find a friend from University among their number.

Saturday, 5 May 2018

Living with Gods, people, places and worlds beyond by Jill Cook



This book was published alongside the British Museum’s eponymous exhibition, but as a slim volume, just over 60 pages This is essentially a picture book (which is not a criticism, I like pictures), with brief notes similar to the captions that would have gone alongside the objects in the actual exhibition. (I presume at more full blooded catalogue wasn’t produced to leave a suitable gap in the Market for Neil MacGregor to publish his 500 page book also associated with exhibition later this year).

I was sorry not to get the chance to go to the exhibition, as the engagement with belief as the starting point is unusual. The National Gallery in 2009 had an exhibition “The Sacred Made Real” on Spanish Religious Art and the British Museum in 2011 had an exhibition “Treasures of Heaven” which brought together various Medieval European Christian objects, both of these did explore belief to some extent, however my sense is that the starting point was a coherent group of artworks which just happened to be religious in origin. But with Living with Gods it is a completely diverse group of objects brought together only by the fact that they share a religious significance.

In the introduction Jill Cook writes “perhaps we should review the species name sapiens meaning wise or clever and consider the alternative Homo religious, the species that tries to adapt to the complexities of the world and our emotions by calling upon nonmaterial forces?” That is a bold statement, and as someone of faith an attractive one, but…

That “but” need a lot of unpacking.

The exhibition brings together a wide range of objects, and with them a wide range of beliefs, and as the British Museum absolutely should do, those beliefs are presented in a non-judgemental way. Within the book, and therefore I expect the exhibition, objects are not grouped by religion but by cross-cutting themes, sometimes to contrast different responses to the same issues, but more often drawing out the commonality of response across seemingly diverse religions.

Although I didn’t go to this exhibition, I did go to the other two I mentioned above and I found them challenging experiences because they were made up almost exclusively of objects of devotion, but objects removed from a devotional context. In some ways the “sensitive” treatment made it worse, for The Sacred Made Real many of the gallery spaces had been arranged in chapel like ways to help experience the art work in something like its original context. So should my response be to a historical artwork or to the Passion of Christ?

Of those objects not in the British Museum’s own collection the majority were on loan from the State Museum for the History of Religion, St Petersburg which has a “complicated” history as much of its collection came to it through the repression of religion within Soviet Russia. This means we are asked to engaged with the beliefs associated with the object despite the fact that the particular object in question might very literally have been ripped from the believer’s hands. While there is an exploration of the ways that the atheist states actually expresses many “religious” tendencies there didn’t seem to be an acknowledgement of the dark side of those regimes' role in supplying material for this exhibition.

I have recently written about the British Museum’s Regarding the Dead about how the Museum manages its holdings of Human Remains and there are many common, if unacknowledged, ethical issues, some of these religious objects could have than greater cultural power and significance than an individual’s Human Remains. Thinking back to the “Treasures of Heaven” exhibition, it included a significant number of Human Remains, as many of the objects were reliquaries in which their relic was still present. The key principle that Regarding the Dead upholds, ie Human Remains should never be treated as an object, was not manifest on my visit to “Treasures of Heaven”. It was a fascinating exhibition but left me with a deep sense of unease.

Clearly the format of this book (booklet?) did not allow the exploration of these issues. I am pleased that the British Museum has opened the can of worms, but I am not sure their response is completely successful.

Wednesday, 2 May 2018

Waiting for Godot by Samuel Beckett

This is just a note, in the interests of completeness, that I have recently read the play - noting many have spent great efforts trying to interpret it, and probably in so doing have missed the point.

Therefore I do not offer any particular thoughts, other than the fact that the puzzle of the play, possibly the human condition, is captured, but not explained, in these 3 lines...

Estragon: Well, shall we go?
Vladimir: Yes, let's go
[They do not move]

Songs of the Spirit by Megan Daffen



Megan Daffen provides us with a fresh translation of the Psalms, paired a 2-3 page reflection. As with Sister Wendy’s The Art of Lent, while a “Lent” book other that the final days you could follow these reflections at any time of the year. I completely understand that labelling these a Lent book will boost sales because people are particularly looking for books for Lent, it is sad for those look outside of Lent are likely to be put off by that branding.

The range of emotions expressed in the Psalms are so rich, very truly all human life is there. Yet we often risk failing to see the wood for the trees – even where Psalms are a core part of liturgical life

In the reflections Daffen helps unlock them, in a range of ways, providing some of the historical context – when a Psalms is filled with rage at the injustice of the world she explains, as far as we are able, what the particular injustice was, but also, and perhaps more importantly, she sets the emotions of the Psalms in a contemporary context.

The Art of Lent by Sister Wendy


This is a delightful little book, providing a Painting and a short reflection for each day of Lent (Sundays not included, of course). There are just enough words to draw you into the picture and really encounter it.

Although it is a Lent book, the week’s have themes such as Silence, Peace, Confidence, and therefore I think it could be useful at any time of the year, and indeed I think the reflections would be fully accessible to non-Christians.

Some of the Paintings are of Christian subjects, eg the Annunciation, however these probably make up a smaller proportion of the total than you would find in say the National Gallery. The choice of Hokusai’s The Great Wave for Ash Wednesday set the tone for that. It is only the final days, Maundy Thursday onwards, that directly reference the events of the day in the Christian calendar.

Sunday, 29 April 2018

Out of Sorts by Sarah Bessey



That there are 20 tabs in this book in indicative of the fact that I liked it!

For example she says…

“If our theology doesn’t shift and change over our lifetimes, then I have to wonder if we’re paying attention.”

“I had to learn that taking the Bible seriously doesn’t mean taking everything literally.” - I will save the rant about the Bible being too important to be taken literally, but if you ask nicely I can provide it offline.

In embracing questions she notes that Children question everything, but “They’re not asking to be cool or to push back on the establishment or to prove anyone wrong or to grind an axe or make a point… [they] ask because they want an answer.” I.e. we should never be afraid of questions…

And what are those questions… in response to an Old Testament story one of her children asks “Is God the bad guy in this one? Or the good guy?” The classical debate on the problem of evil expressed in a dozen words…

As the counter point to so much exuberance in the Church she says that she is “learning that it is okay to feel sad and to be angry, to long for rescue and redemption, to pray and shout and cry, to weep with those who weep.” A theme already notes by Kenda Creasy Dean, in so many Churches if you are sad you have no place.

The ability to speak of the criticality of faith, at the same time as being honest that the Church often is a barrier rather than an enabler of that faith is refreshing. Most Christian writers write from the starting point that the Church is a full and effective embodiment of the Kingdom of God. For those of us that have been damaged by the Church, it is really hard to take such writers seriously. Bessey offers us some balance...

Stations of the Soul by Joan Keogh



I have an ongoing fascination with the Stations of the Cross, not just as a devotional practice but also as an artistic challenge. They require 14 imagines, working as a group and yet having individual integrity.

It was William Fairbanks Forest Stations, in the nave of Lincoln Cathedral, that got me hooked – they are a true masterpiece (or maybe masterpieces).

The booklet Stations of the Soul is perhaps unusual because both the imagines and the written reflections are provided by Joan Keogh.

Keogh has captured that balance of giving the Stations a common format but a distinct character – a welcome addition to a long tradition.

Waterfalls of Stars, My Ten Years on the Island of Skomer by Rosanne Alexander



I found this book via a review in Planet Magazine, but I will be honest when it arrived at 350 pages of pretty small print I think I let out a sigh – was there really that much to say about 10 years spent on a tiny island? I share this because while I picked it up fairly reluctantly, having picked it up I found that I couldn’t put it down.

Rosanne’s arrival on the island is a bit of a scramble, including a shot gun wedding, and one is worried that this will turn out to be an epic of regret and frustration. But once on the island Rosanne rapidly falls in love with it.

She provides an account, a generally positive account, of isolation that is almost impossible today. They have no electricity, no phone, only brief radio communication via the Coastguard. Later wardens of Skomer now have electricity, connectivity. Does “keeping in touch” lessen or underscore the separation, possible loneliness – and does it provide a distraction from the deep connection with the island and its wildlife that was so central to the joy Rosanne found on the island.

There is a poetic quality to the descriptions of the island, the sea, the various animals, and the emotional responses Rosanne has to it all. She has real skill as a writer, the subject matter is rich but she draws you into its very heart.

She also has the lightness of touch to play on the humour of many situations, for example almost all the anecdotes involving Wellington the goat.

But throughout the account there are moments that will make you weep, such as the oil spills impact on the seals and sea birds, gut wrenching in the shared sense of helplessness, hopelessness. Or their recovery of the body of a drowned fisherman.

Alongside these are more intimate, but not less powerful, moments – when they have to re-home “The Raven”, an injured bird they had hoped to nurse back to health and a return to the wild, but it was not to be.

As they prepare his departure “He was extraordinarily quiet and well behaved as he was transferred to the small cage. Perhaps subdued would have been a better word. He was such an intelligent bird that I couldn’t help wondering how much he understood of what was happening.” and then “’Hello’ he said quietly, for the last time.” Hello was the only word The Raven had learned, that the moment of separation is marked with this incongruous word broke me. It probably doesn’t make sense quoted like this but in the flow of the account you are riding the ebb and flow of emotion with Rosanne.

And ultimately we come to their departure from Skomer, in a mirror to her arrival, it is forces beyond her control that determine the timing – she has time to say goodbye, but no choice over the need to say goodbye.

You are left with the sense of not having read about life on Skomer but having lived it. I don’t think there is high praise to give to a writer.

Regarding the Dead: Human Remains in the British Museum Ed. A Flecter, D Antoine, & JD Hill



As “Research Publication” this is aimed at a scholarly / professional audience rather than the general reader.

The preface sates that “The motivation for publishing this book is to emphasize that for a museum of any size, it is important to separate out issues of repatriation or display from those of conservation, documentation and research in relation to human remains.”

The various chapters give a good coverage of “what to do” in terms of professional practice but I guess I was expecting a stronger engagement in the “why”.

This is touched only a little in Jody Joy’s chapter on bog bodies in the exploration of the difference between them and skeletons – but while there might be an instinctive emotional response to a body that is distinct to bones alone whether this should be carried over to an actual difference is treatment could have been explored more fully.

In the same chapter it is noted that surveys show that the overwhelming majority of visitors to the British Museum expect, and want, to see human remains on display. But how to display various types of human remains in ways the encourage a respectful encourage with them is a key challenge (perhaps even more so in the age of the selfie – is it ok to take a selfie with a skeleton, mummy, a bog body?).

For some of the more recent remains, especially those collected with colonial contexts, there is likely to be cultural continuity between the individuals whose remains the Museum holds and living communities and there is some exploration about how the values and wishes of those communities are incorporated into the way the remains are stored, displayed, and studied, including in some cases the decisions to “repatriate” the remains to communities. But beyond these examples there seemed to be little or no engagement with how the beliefs and values of the individuals whose remains the Museum holds might impact its practice, and the older the remains are the less of a factor this seems to become. There are some generalised notions of “respect”, of not objectifying the remains (but I am not sure how successful that is in reality), but are these enough?

Given the immense scientific and cultural value the study of human remains holds, it is absolutely right that Museum and other institutions have and make use of them, and this book is a welcome insight into the engagement with the challenges that bring, and maybe some of the philosophical questions I have pointed to above are outside its brief but I think they need to be wrestled with.

Saturday, 10 March 2018

Vision upon Vision by George Guiver




The blurb on the back refers to this as a “magisterial book” - and I guess it is, the trouble is that also means that for those with anything more that a passing interest in liturgy and worship the ground it covers is pretty familiar. I found myself often going “yes, exactly” and very rarely, if at all, “I never thought of that”.

In the consideration of the changes in worship that went along side the Reformation and the Enlightenment Guiver regrets the general reduction of the liturgy to the words alone. The lost of the involvement of the whole body. Even today we see this, but it can be overlooked by worship leaders as the clergy (and servers) are at the heart of action – meanwhile the laity are sat looking on from a distance resulting in “much of the detail can be lost to them, there is much less immediacy, and the experience easily becomes simply boring. Even what little corporality survives today in now coming under assault of laziness – the people catch it from the clergy. Often a congregation simply sit through most of the service. That kind of sitting shows a lack of confidence in taking active part – it expresses sitting back, non-involvement of the body…”

This is a theme I have reflected on before and entirely agree with.

Guiver also, to my mind, correctly notes that “Creative worship often runs into problems... The paradoxical result is limited creativity or a lack of edge… we are then left with a repetitive falling-back on common gambits – candles, stones, projecting pictures” and, I would add writing our sins on post-it notes – something I have been refusing to do for the best part of a decade .

Thinking about the faith that worship is responding to, Guiver provides the neat quote that “Anything that can be reduced to static formulas and a fixed system was not true tradition but a caricature of it”

While I also liked his phrase that “The faith once delivered to the saints and preserved in the one, holy, catholic and apostolic Church, is called to go forward balanced forever wobblingly on the narrow line of trust.”
So now at Church I quietly amend the Creed, so it begins “We believe, wobblingly, in one God, the Father, the Almighty...”

And on the importance of worship – he suggests that if there is any point at all (and for many that is a big “if”) then it is of the highest importance – as he puts it “If we need motivation for throwing all our efforts into creating a vibrant, dedicated and praying Church, we need only keep society’s problems before our eyes. For society to change, it needs a vibrant and thriving Church in its midst”

While, he also notes that “If worship is in these ways to be compared with art, then as in the arts nothing but the best will do. It might seem obvious to say that worship should always be of the best, but we have habits, which we even sometimes justify, of offering less.”

The points that he makes might not be particularly original – but he does make them well.

You’re Welcome to Ulster by Menna Gallie



Reading this almost 50 years after it publication this novel writing of, then, contemporary events is so soaked in its time that it now for us, in effect, historical fiction. And reading it, there is a sorrow knowing how long the road to peace would be, and perhaps even now how fragile that peace remains.

While there are strong political themes within the novel, which I will explore, its success comes from the quality of the story telling – characters with authenticity engage you in the drama.

Written at the beginning of the so called “Troubles” it explores the ways that individual identities are shaped and informed by the community of identity around them. In Northern Ireland a sharp division placing you on one side or the other.

But there are also gender identities at play – Sarah on learning of a potentially terminal illness has come to Northern Ireland to revisit her friends but more importantly a lover – even if she survives her breast cancer she feels the treatment will take away something of her womanhood and so she needs to connect and be affirmed sexually.

And the young men being sucked into the conflict – it is as much a defence of their manhood as it is any social or political cause they are fighting for.

To bring Sarah from Wales into this provides the useful device of an outsider to whom things need to be explained – but there is also a significance to her coming from Wales, a nation marginalised in the British project of identity building. The struggle for cultural and political identity might have common features from place to place, but it is also fundamentally distinct.

And what is Sarah’s relationship with Welsh Nationalism? in a word reluctant.

At one point she reflects that:
“We don’t have the makings of tyrants here; our enemies are so piddling, a waste of reformist energy which ought to be better applied; Welsh nationalism, for example, seems to me to be about letting English cities use our water supplies and about having telephone instructions in Welsh. ‘The tree of liberty must be refreshed from time to time with the blood of patriots and tyrants. It is its natural manure.’ Patriots and tyrants, Caroline, not motorcar-licence application forms in Welsh and adolescents wanting to run the universities. No, we don’t have the makings here in Britain, thank God.”

And at another point “She cringed to think of a possible repetition of similar horrors in Wales, sprouting from an unholy alliance between the implacable and the inept.”

It put me in mind of Ned Thomas’ The Welsh Extremist. (Which I read while at University, having stumbled across it in the basement of the University library and being the first person to take it out the library is the best part of 2 decades. I have ordered a copy online to re-read it). Ned Thomas is also thankful that violence has never really been part of the modern Welsh story but it raises a question about why the Welsh, generally, are not politically impassioned by their identity.

This is an ongoing question, see in the relative standing of the SNP and Plaid Cymru – but that also point to a large part of the answer – the Welsh Language as a point of division between Welsh people, so Plaid seen as the Party of the Language is not trusted by many English speakers within Wales.

Sarah meets a Welsh Nationalist who is on the run after planting a bomb, which it turns out never went off. I am not sure how deliberate a metaphor for the wider Welsh Nationalist project this bomb that fails to go off is meant to be – but intentional or not, it can be seen as one.

Sarah chides this boy Nationalist - “...I do so believe that nationalism is fundamentally selfish. It’s greedy. It cares about us, the in-group. Why are you in the wrong fight, boy? Just imagine being black or Vietnamese for a change, unless the burden is too great for you. Don’t you think Welsh Nationalism is a luxury when there are bigger battles to be fought”

Which perhaps brings us to Michael Sheen’s Raymond Williams Memorial Lecture https://www.youtube.com/watch?v=bbVdA7zS8dE it is a powerful exploration of, among other things, the deep seated lack of self-belief within Wales, with the internalising of the Encyclopedia Britannica’s entry for Wales - “for Wales see England” - there is a lack of fight because so many believe they have nothing distinctive to fight for.

There are places where suffering and inequality are stripping people of life itself and not just identity, and compared to those it is easy to characterise Welsh Nationalism as a luxury – but it doesn’t need to be a zone sum game – there may be bigger battles to be fought, but that does not prevent the smaller battles being fought as well.

Creating a society that respects peoples self-identity, a state that allows people to communicate with it on their own terms rather than only its terms – these are not principles that should not be narrowly applied but ones that create openness.

The Long Dry by Cynan Jones



Having read Cynan Jones’ powerfully brilliant Cove last year I have brought his other works.

The Long Dry was his first novel, and the same lightness of touch is present here as in the Cove, an economy of writing – in just 100 pages he creates a world complete in itself – with all the intensity of human emotions and human relationships in the context of the struggles of ordinary life.

The narrative voice switches between husband and wife – balancing them skilfully and pointing to how much goes unsaid between them – and occasionally it even finds it way to be the voice of the Cow – which adds a softness, not quiet humour, as moment of relief from what is at times a fairly bleak tale.

The relationship with “the land” - the extent of rootedness in it is a key theme – a tough relationship on a small farm – but compared with the rootlessness that so many now feel an attractive bondage perhaps?

A Child is Born by Abby Guinness



This is a 31 day set of reflections for “Advent” - although some might want to characterise it as extended reflections on the Christmas – as for example Gabriel announces Jesus’ birth to the Shepherds on day15, while Anna and Simeon “Candlemas” encounter with Jesus is dealt with on days 26 and 27. As it happened I was somewhat behind schedule with this particular Advent book, and therefore these days tied in well to the liturgical calendar.

What I liked about this book was that as part of the reflection, on most days, after the Bible reading you had “From Joseph’s perspective” or “From Gabriel’s perspective” and so on – an imaginative piece about what that particular character was thinking or feeling about the familiar events of the reading. This was a good way of bringing you afresh to some of these passages that we know so well we risk failing to engage with them.

Thursday, 22 February 2018

Hide by Matthew Griffin



This book didn't just make me cry, it made me wretch with pain at the honest love.

There are many books written about people falling in love, but books that explore the endurance of love are rare.

Much of the power of the book comes from that fact that Wendell and Frank in mid-century mid-west USA could not live openly as a same-sex couple. There is a claustrophobic nature of their relationship from the start as a result – outside of their home they live separate lives, at home there is only the two of them.

And this kind of works for them.

But the heat of the book comes from the account of their old age, of Frank's mind and body failing and Wendell becoming care-giver. And in this sense I think their genders are not so important – we can all call to mind couples whose lives have been compressed – even when their relationship had been outward facing, their home open doored – not just age, but the need of one to care for the other has closed them down.

It is unflinching in recounting the ways in which the body, and mind, can abandon us – and, told through Wendell's voice, the need to clear up afterwards.

For better for worse, in sickness and in health – vows Frank and Wendell never got the chance to make, but vows they lived as truly as anyone.

There is a third character, Daisy the dog, who Wendell buys as an attempt to bring Frank out of himself. It works, but is also a source of pain – that Frank can show love to Daisy only highlights his inability to articulate his love for Wendell.

And the “resolution” of Daisy's story – I was reading it on the train back from London, I had tears rolling down my face, and I had to put the book down, and then force myself to pick it up and read on – and then put it down, and then read on. The unstoppablity, the horror, even recalling it now is hard.

In some ways Frank becomes a horrible person, in some ways a complete innocence – stripped of all dignity yet proud and stubborn.

It is a lesson in what love really looks like – happy ever after can be a long hard slog – when you find yourself the care-taker of the body that was the person who is the love of your life. [I know the tenses in that sentence are awkward]  When you are tired, exhausted, but you go on because you will go to the end of the earth for them – but while going on in that moment all you feel is rage.

I read a copy from the library, but I have now ordered a copy – something I never do – but it has such power that I want to have it, to have the chance to re-read it. Until Our Blood is Dry by Kit Habianic is probably one of the few books that has had the same kind of emotional punch for me – I remain unsettled by it. I read a lot and most books go in one ear and one the other (sic), my reason for having this blog is to externalise my memory – but I don't think I will need a blog to recall this story...